Contemporary and modern design

A colorful circus scene presented in a passe-partout and set in a silver wooden frame with glass. Unsigned. Image size: 20 × 11 cm.
France 1955

Crafted in the 1950s / 1960's by master cabinetmaker Poul Jeppesen in richly grained Rio rosewood with original cane and leather. Exceptionally well-preserved with a deep, warm patina – rosewood at its most beautiful.

Litografi i farver: 'Elefant i urskov'
Signeret og nummereret 49/280, 1969
Indrammet i ramme af guldmalet træ og glas.
Litografi: 57 cm x 42 cm. Ramme mål: 74 x 51 x 2,5 cm

Vibrant and dynamic lithograph – Untitled, no. 138/150.
Signed with the monogram "PK", dated 2000
Dimensions (image): 66 x 48 cm
Framed behind glass in a gilded wooden frame

Expressive watercolour and gouache painting of horses by Nikolaus Wehding, signed and dated 1954. Framed under glass in a gilded wooden frame. Art work: 44.5 x 58.5 cm.

Iconic Egyptian Table by Mogens Lassen, 1950s. Foldable design in Cuban mahogany with elegant brass details. Crafted by A.J. Iversen. A Danish design classic.

Elegant Kähler ceramic vase from around 1930, designed by Sven Hammershøi. Made in stoneware with beige glaze and decorative leaf motifs in green and dark tones. Signed HAK.

Pair of olive green glass table lamps designed by Svend Åge Holm Sørensen, c. 1960. Produced by Kastrup Glassworks with brass fittings. Excellent condition.

Large stoneware bear by Knud Kyhn for Royal Copenhagen. Classic brown and grey sung glaze, signed with monogram and model number. Denmark, 1950s

Large stoneware vase designed by Svend Hammershøi for Kähler. Decorated with engraved flowing lines and stylized leaves. Finished in a distinctive yellow uranium glaze. H: 50 cm.
Signed HAK (Herman A. Kähler). Denmark, c. 1920–30

Elegant armchair in Cuban mahogany with deep-buttoned Niger leather and refined brass details. Designed by Palle Suenson and crafted by master cabinetmaker Jacob Kjær in the 1940s.

Pair of Elegant, minimal adjustable brass and leather floor lamps by Lysberg, Hansen & Therp.
Danish design from the 1960s–70s

Atmospheric oil painting by Peder Mønsted, 1895. Depicts Bedouins and camels at a North African oasis.
Oil on canvas, signed and set in a beautiful giltwood frame.

Lidded stoneware vase by Jais Nielsen & Knud Andersen for Royal Copenhagen, 1953. Oxblood glaze with bronze lid. Signed and marked

Stoneware lidded jar with oxblood glaze, mounted with partially gilded and patinated bronze. Designed by Kresten Bloch and Knud Andersen for Royal Copenhagen, 1957.
Signed and first quality. H 21 cm, Dia. 19 cm.

Rare set of Langlyslampe (Elongated Lamp) wall lamps designed by Poul Henningsen and produced by Louis Poulsen in 1934. Made of brass and warm amber glass. A timeless Scandinavian modernist design – sold as a pair

Light and elegant design crafted in solid Cuban mahogany at Frits Henningsen’s own workshop, c. 1930–1940. Newly reupholstered in light linen blend and gently refinished to enhance the wood grain.
Sold as a pair

Unique ceramic vase by Hedwig Bollhagen. Hand-decorated with stylised brown-glazed tigers and natural motifs. Signed HB and dated 1939. Height: 38 cm

An expressive painting full of spiritual and visual symbolism, depicting the biblical story of Daniel, standing calm and unshaken among lions. Executed in tempera and oil on canvas, set in a black wooden frame.
Dimensions: 86 x 136 x 4 cm.
Signed “OHM” (Olivia Holm-Møller)

Sofa or side table in oak, crafted circa 1930–40 at Frits Henningsen’s own workshop.
The tabletop is originally inlaid with Dutch manganese-colored faience tiles from the 18th century

Armchair designed by Jens Houmøller Klemmensen c. 1940, produced by Skive Møbelfabrik.
Original coil springs, solid oak and beech legs. Reupholstered in “Blans” wool by Hanne Vedel in a soft, raw white tone.

Armchair designed by Jens Houmøller Klemmensen c. 1940, produced by Skive Møbelfabrik.
Original coil springs, solid oak and beech legs. Reupholstered in “Blans” wool by Hanne Vedel in a warm taupe tone

Sofa/side table in oak, made c. 1930–40 at Henningsen’s own workshop.
Top originally inlaid with blue and white Dutch faience tiles from the 18th century