New Arrivals

Lidded stoneware vase by Jais Nielsen & Knud Andersen for Royal Copenhagen, 1953. Oxblood glaze with bronze lid. Signed and marked

Stoneware lidded jar with oxblood glaze, mounted with partially gilded and patinated bronze. Designed by Kresten Bloch and Knud Andersen for Royal Copenhagen, 1957.
Signed and first quality. H 21 cm, Dia. 19 cm.

Original Art Nouveau-inspired advertising poster from around 1903 for Satin Skin Powder.
Vibrant lithograph with iconic early 1900s beauty imagery.
Made in the USA by Albert F. Wood

Elegant English daybed from circa 1920–30. Ming-style inspiration with new upholstery, curved ends, and finely carved maple legs.

Pair of late 19th-century Danish wrought iron torcheres with neoclassical detailing attributed to Bindesbøll & Bissen. Restored, original patina preserved

Rare set of Langlyslampe (Elongated Lamp) wall lamps designed by Poul Henningsen and produced by Louis Poulsen in 1934. Made of brass and warm amber glass. A timeless Scandinavian modernist design – sold as a pair

Light and elegant design crafted in solid Cuban mahogany at Frits Henningsen’s own workshop, c. 1930–1940. Newly reupholstered in light linen blend and gently refinished to enhance the wood grain.
Sold as a pair

Unique ceramic vase by Hedwig Bollhagen. Hand-decorated with stylised brown-glazed tigers and natural motifs. Signed HB and dated 1939. Height: 38 cm

An expressive painting full of spiritual and visual symbolism, depicting the biblical story of Daniel, standing calm and unshaken among lions. Executed in tempera and oil on canvas, set in a black wooden frame.
Dimensions: 86 x 136 x 4 cm.
Signed “OHM” (Olivia Holm-Møller)

Sofa or side table in oak, crafted circa 1930–40 at Frits Henningsen’s own workshop.
The tabletop is originally inlaid with Dutch manganese-colored faience tiles from the 18th century

Elegant dansk Empire-bænk fra ca. 1810 med svungne ben og tremmegavle. Raffinerede udskæringer og ny polstring i blå velour med diskret sildebensmønster fra G.P. & J. Baker

Ink drawing by renowned Danish artist and humorist Robert Storm Petersen (1882–1949), signed Storm P. A charming and humorous depiction of an elderly man carrying a basket, drawn in the artist’s signature expressive style. Elegantly presented in an antique silver Empire-style frame. Dated circa 1940–1950.

Armchair designed by Jens Houmøller Klemmensen c. 1940, produced by Skive Møbelfabrik.
Original coil springs, solid oak and beech legs. Reupholstered in “Blans” wool by Hanne Vedel in a soft, raw white tone.

Armchair designed by Jens Houmøller Klemmensen c. 1940, produced by Skive Møbelfabrik.
Original coil springs, solid oak and beech legs. Reupholstered in “Blans” wool by Hanne Vedel in a warm taupe tone

Crafted in elm featuring a pair of doors and drawers with patinated brass fittings. Front with red lacquer and black lacquer on the sides with elegant natural patina.
Jiangxi Province, Qing Dynasty, circa 1840

Late Danish Empire side table with original tray from c. 1820–30 and later folding base from the 1950s. Painted light green with gold details – decorative and functional

Decorative and colorful pair of phoenix birds in polychrome porcelain, a symbol of beauty and harmony. Height: 47 cm.
China, Qing dynasty, c. 1830–1840

Neolithic grinding stone with smooth, curved surface, used for sharpening flint tools. From Denmark, c. 3,900–1,700 BCE.

Sofa/side table in oak, made c. 1930–40 at Henningsen’s own workshop.
Top originally inlaid with blue and white Dutch faience tiles from the 18th century

Litografi af Asger Jorn (1914–1973), "Uden Titel", signeret Jorn 70. Ét ud af en serie på 4 litografier.
Mål: 32 x 51 cm.

Surrealist fresco, c. 1930–50.
Female figure at a table with bird and rocks, set in a vivid, symbolic scene.
Anonymous artist, likely Southern European origin, possibly Italy.